Thoughts and Ideas

Conversation Starter

Point-of-entry. Assumption. Point-of-View. I read a book that was told in reverse. There were reviewers who were critical of this "contrived technique". I thought, but isn't that how we receive the news, diagnose situations? Isn't uncovering a truth slowly delicious? More practically, when we observe someone's art, career, or behavior, we enter that observation at a point, often, without background. We see a moment. We read what is present based on our frame of reference, our point-of-view, often with rose colored glasses or more dramatically, with condemnation. Think, if we could follow that someone backward through four days or four decades, through four situations or four environments, how could that challenge our assumptions and flesh out a story? How many a-ha, oh's would contradict our first point of entry? Talk about applying this concept to a choreography, building a "wait for it" hook , or, use this to explain progressive training to the uninitiated, that we don't start with virtuoso moves first, we build to it over years.

Creative Experiment

Whatever you are working on, consider changing the point of view. POV. How many ways can you change a point of view? If you perform you choose between the POV of your personal life which can be divided into many approaches; emotion, technique, dynamics, musicality, physical space, visual space, and past history. But those also all exist separately in the POV of the choreographer, the POV of each audience member, the POV of the musician, costumer, and lighting designer. All have a past they are drawing from. Additionally, if you play a character you have the imaginary POV and past experience of the character. Even in training you can take on an imaginary POV, think like another, get out of your own head. Play, explore this idea. How many a-ha moments can you create for yourself?

Escape and Inspiration

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